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Editor’s Note: I Forgot. This Reminded Me.

This episode with Kevin Krim shook me. Not because of the data or the insights—but because it reminded me of something I’ve clearly lost sight of.

There are people behind this industry. Real people. With families, grief, joy, and lives that extend far beyond job titles and KPIs.

Someone—I suspect not a fan of mine—said something recently that stuck with me. It made me realize I’ve been harsh. Maybe even cruel. I’ve thrown people under the bus in the name of “truth”, but sometimes it was just noise.

So here’s my reset: I want to do better. To be better. To remember that every person I write about, every name in a headline, is human first.

Maybe I’ll fail. But I’m going to try.

– Pesach

AI isn’t the death of creativity.

No, the Robots Aren’t Replacing You—They Just Got Hired First on LinkedIn

AI isn’t the death of creativity.

No, really — I might seem like it now, as you realize that Grok can write better love poems than you.

It’s actually the midlife crisis it didn’t know it was having—complete with a hoodie, an espresso dependency, and a suspiciously well-written résumé.

If you thought the robot revolution would look like a sci-fi dystopia, guess again. It’s showing up to pitch meetings, filing status reports, and quietly outperforming your entire creative team on their best day.

We’re not talking about tools here. We’re talking about coworkers.

The kind that don’t ask for PTO, don’t forget the deck, and never use Comic Sans “ironically.”

This isn’t man vs. machine—this is machine vs. middle management, and honestly, the machine has a better LinkedIn headshot.

At Naama Manova Twito’s company, MarketTeam.ai, AI doesn’t just help with campaigns—it applies for the job. No, really. Each one is a master of a specific intricacy of marketing, complete with LinkedIn profiles, résumés, and real interviews. These AI agents get hired, reviewed, and—yes—corrected when they screw up. It’s not science fiction. It’s onboarding.

And they’re not passive tools waiting for orders. They argue. They iterate. They track their own impact and adjust on the fly. Because, as Naama puts it, “marketing is a progression-data loop type thing.” Human creatives, in her world, aren’t being sidelined—they’re being recast as reviewers, instinct-checkers, and ethical North Stars, while the agents execute.

Welcome to the AI Renaissance—please supervise accordingly.

Meanwhile, Richard Howe, CEO of Inuvo, is quietly tearing up the industry's favorite security blanket: identity. For thirty years, advertising has asked the same tired question: Who is this person? Richard’s moved on to the one that actually matters: “Why are they interested?”

Because here’s the rub: there’s no database field for “sleeps with loud animals.” But his AI can read the entire internet and figure out that someone might need Bose Sleepbuds not because they like music—but because their pug snores like a chainsaw in a tin can. This isn’t personalization. It’s motivation detection. And it’s not creepy—it’s clever.

Howe sees the current ad industry as train tracks laid on Roman chariot ruts—rigid, outdated, and still trying to force every consumer into neat demographic boxes. The problem? Consumers aren’t boxes. They’re chaos. And AI, if built right, can make sense of it—not by watching what you are, but understanding why you do what you do when you do it.

Over in video land, Zack Rosenberg’s team at Qortex is having their own renaissance—except theirs involves prying metadata from the cold, dead hands of legacy taxonomies.

They discovered that 89% of video metadata is fiction. Wait what?

Not flawed. Not fuzzy. Fiction. Think of it like renting a movie labeled romantic comedy and finding out it’s actually 90 minutes of quiet despair and a plane crash. That’s what marketers are targeting against.

So they built machines that actually watch video like humans do. Frame-by-frame. Tone-by-tone. No more guessing from transcripts or lazy keyword scraping. Zack’s AI doesn’t assume a video about “cats” is cute—it checks whether it's Garfield, a lion hunt, or a political metaphor. It’s not contextual targeting. It’s cognitive targeting.

And this all leads us to the new reality: the creative brief is no longer a brief. It’s a living, breathing, sentiment-tracking organism that shifts in real time based on the world, the audience, and what the algorithm learns while you’re still scheduling your coffee sync.

So, if you’re still afraid of being replaced, you’re missing the point. You’re not being replaced. You’re being redefined. And if you don’t want to report to a bot with better grammar than you, maybe—just maybe—it’s time to sharpen your instincts, not your deck design.

Because the robots aren’t coming for your job.

They already got promoted.

The Rabbi of ROAS

From Reactive Ads to Reasoning Machines: Agentic AI and the New Media Brain

We’ve passed the point where AI is just a productivity hack. The agentic era isn’t about saving time—it’s about surrendering control. And that’s not some philosophical scare tactic—it’s a functional shift already in electronic motion.

Agentic AI systems don’t just respond to prompts—they evaluate, argue, and evolve without waiting for human direction. They aren’t smart assistants. They’re autonomous collaborators with jobs, accountability, and a growing portfolio of campaign wins.

At Naama Manova Twito’s company, each AI agent is assigned a unique specialty and goal orientation. One might be focused on micro-audience segmentation, another on channel performance prediction. These agents aren't just creating outputs—they’re actively interrogating each other’s assumptions. When one proposes a media buy, another might flag inefficiencies or emotional mismatches based on real-time audience sentiment shifts.

Naama puts it plainly: “Our agents can measure their own impact… and adjust on the fly.” She’s not just talking about optimization within a dashboard. This is intra-agent conflict resolution. They self-regulate, self-correct, and even debate over creative direction, budget allocation, and target expansion strategies. One AI recommends targeting early-morning commuters with upbeat messaging, another counters with a historical performance dip for that slot—and the system adjusts accordingly. That’s not automation. That’s governance.

But while these agents execute with machine speed, the human job hasn’t disappeared—it’s just been distilled to its most irreplaceable elements. As Naama says, “The marketer becomes more of a reviewer than a creator.” Your role? Instinct-tuning. Cultural arbitration. Making sure your brand doesn’t accidentally sound like a manic raccoon on TikTok just because the model saw a spike in engagement on Gen Z meme pages.

In parallel, Zack Rosenberg’s team has made it their mission to erase the hallucinations of adtech’s video strategy. They analyzed the market’s dependency on transcript-based video targeting and discovered that most campaigns are flying blind. Not metaphorically—literally blind. Tags lie. Transcripts mislead. Metadata decays faster than old yogurt on an Arizona summer day So Zack’s solution? Build an AI system that watches video like a sentient intern who never blinks.

This means scene-level comprehension: the ability to register lighting changes, tonal shifts, emotional arcs, and behavioral signals within a given video. Oh, remember he said “We found that video was miscategorized upwards of 88.98% of the time.” That’s not an error rate. That’s a systemic failure. His team’s model bypasses third-party assumptions and instead creates live, frame-by-frame understanding of what’s actually happening onscreen—and more importantly, what it means for the viewer.

They also found that the content itself changes faster than media buyers realize—sometimes every six hours on high-volume platforms. “There’s typically no correlation at all between the page content and the video,” Zack explains. “And the third method everyone relies on—transcripts—can be equally useless. We had a video where the only word spoken was ‘whoa.’ Is that a car crash? A goal scored? A gift being given?” That’s not targeting. That’s fortune-telling with a blindfold on.

So Zack’s answer is what he calls “moment-level intelligence”—where AI registers not just the scene but its emotional and narrative implication, and aligns ads accordingly. This isn’t contextual targeting. It’s narrative targeting. And it’s what allows brands to step into the story instead of awkwardly interrupting it.

That feels like real AI.

But perhaps the most radical shift comes from the work Richard Howe is doing. His AI doesn’t care about who the user is in any traditional sense. It doesn’t store names. It doesn’t need third-party cookies. It’s trained to recognize motivation, not identity. That means ditching 25-year-old taxonomies built on static demographics and building a model that feels out human intent in the moment.

Reactive machines put Corvette ads on Corvette pages. That’s not thinking. That’s just reflex,” Richard says. His system reasons: what is someone actually trying to solve when they engage with content? Are they researching sleep aids for themselves—or for their snoring dog? “There’s no database field for ‘sleeps with loud animals,’ but AI can read the entire internet and find that connection.

This approach—what Richard sometimes refers to as theory-of-mind modeling—doesn’t just ask what someone is doing. It tries to understand why. It’s a mental model, not a mechanical one. And in doing so, it discards the ad industry's biggest addiction: identity proxies. As he puts it: “You’re still fixated on identity and structured databases. You can’t even imagine a better way.”

Here’s the paradox at the heart of all this: AI is finally good enough to do the busywork, but also smart enough to question the blueprint. And that changes what marketing is. You’re not the director anymore. You’re the editor. The voice of judgment in a world of infinite options.

We’ve crossed from reactive ads to reasoning machines. And if you’re still trying to run your campaigns like it’s 2014, here’s your gentle reminder: your competition now includes a cluster of agents who never sleep, never settle, and never forget the metrics.

Next time they challenge your media plan, don’t take it personally. They read the entire internet while you were sleeping.

Look, if you made it this far, you're not here for clickbait.

You’re here because you're tired of the fluff, the LinkedIn humblebrags, and the dashboards that light up like Vegas but tell you nothing real.

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This week? Kevin Krim drops the act and lays bare what's actually broken in ad tech—how even the outcome metrics we love are being gamed, and why most measurement tools are just mirrors with fog.

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